Swish

Swish is effeminate behaviour and interests (camp), emphasized and sanctioned (Kleinberg 1978), in pre-Stonewall gay male communities. This behaviour is also described as nelly.

Being swish includes sashaying and the use of limp wrists, falsetto voices, feminine pronouns, and superlatives (Sonenschein 1969; Tripp 197). Basically, everything up to the other side of camp, drag.

"Extravagant language is common. Such expressions as 'Oh my word!' 'Good heavens!' and 'Oh, my dear!' are readily associated with other aspects of a feminine man. In describing ordinary experiences the male variant is likely to use such words as 'terrific,' 'amazing,' 'completely devoted,' 'horrible,' 'tremendous,' 'sublimely,' 'charming,' 'appalling,' 'vicious,' 'loathed,' and 'madly.' Exaggerations are made more consipicuous by placing undue or erroneous emphasis on certain syllables and intonations which leave little doubt of the effeminacy of the speaker." (Henry, 1955, p.291)

Though being butch was viewed as deviant and socially unacceptable by gay male society (Warren 1972, 1974; Helmer 1963), being swish has since lost its mainstream gay status post-Stonewall, and in addition to being used occasionally by straight people is now most often derogatory even when used by gay men. Most post-Stonewall gay men viewed acting swish as internalized homophobia, a concession to straight stereotypes of gay men as failed men (women), however, clone, the masculine, even macho, standard and ideal behaviour that replaced swish adapted many camp elements such as dish.

Thus while clones view swish as harmfully embodying anti-gay stereotypes, being swish was a way of indicating and performing one's identity, indicating that anti-gay stereotypes were and are derived from gay identities. Further, one could turn one's swish on or off: "Just look at all these clones dear...they all look so 'butch.' But I remember when everyone was 'nelly.' What a joke!...Over the last few years I have watched many of these girls change as the times changed. A couple of years ago, they had puny bodies, lisping voices, and elegant clothes. At parties or Tea Dances, they came in dresses, swooning over Garbo and Davis. Now, they've 'butched up,' giving up limp wrists and mincing gaits for bulging muscles and manly handshakes, giving up fancy clothes and posh pubs for faded jeans and raunchy discos." (Levine 1998, p.55-6)

The use of the word in this or a related sense goes back many decades. Wentworth and Flexner define swish as a noun meaning "a male homosexual, esp. one with obviously feminine traits" and cite a use in Budd Schulberg's 1941 novel, What Makes Sammy Run?

Reference

• Levine, Martin P. (1998). Gay Macho. New York: New York University Press. ISBN 0814746942.
• Wentworth, Harold and Stuart Berg Flexner (1960, 1967), Dictionary of American Slang,,Thomas Y. Crowell, ISBN 0690236026