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George Bernard Shaw

George Bernard Shaw (26 July 1856-2 November 1950) Irish playwright ; winner of the Nobel Prize for Literature , 1925

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Caesar and Cleopatra (1898)

  • Hail, Sphinx: salutation from Julius Caesar! I have wandered in many lands, seeking the lost regions from which my birth into this world exiled me, and the company of creatures such as I myself. I have found flocks and pastures, men and cities, but no other Caesar, no air native to me, no man kindred to me, none who can do my day's deed, and think my night's thought.
  • My way hither was the way of destiny; for I am he of whose genius you are the symbol: part brute, part woman, and part God— nothing of man in me at all. Have I read your riddle, Sphinx?
  • THEODOTUS. Caesar: you are a stranger here, and not conversant with our laws. The kings and queens of Egypt may not marry except with their own royal blood. Ptolemy and Cleopatra are born king and consort just as they are born brother and sister.
    BRITANNUS (shocked). Caesar: this is not proper.
    THEODOTUS (outraged). How!
    CAESAR (recovering his self-possession). Pardon him. Theodotus: he is a barbarian, and thinks that the customs of his tribe and island are the laws of nature.
  • Again, there is the illusion of "increased command over Nature," meaning that cotton is cheap and that ten miles of country road on a bicycle have replaced four on foot. But even if man's increased command over Nature included any increased command over himself (the only sort of command relevant to his evolution into a higher being), the fact remains that it is only by running away from the increased command over Nature to country places where Nature is still in primitive command over Man that he can recover from the effects of the smoke, the stench, the foul air, the overcrowding, the racket, the ugliness, the dirt which the cheap cotton costs us.
    • Notes to the play. Contributor's comment: I think if the words "cotton", "bicycle" and "foot" are replaced by "computers", "bike" and "car", then this perfectly fits in 21st century.

Man and Superman (1903)

  • The schoolboy who uses his Homer to throw at his fellow's head makes perhaps the safest and most rational use of him (Preface)
  • ... our political experiment of democracy, the last refuge of cheap misgovernment, will ruin us if our citizens are ill bred. (Preface)
  • We must either breed political capacity or be ruined by Democracy, which was forced on us by the failure of the older alternatives. Yet if Despotism failed only for want of a capable benevolent despot, what chance has Democracy, which requires a whole population of capable voters. (Preface)
  • Bunyan's perception that righteousness is filthy rags, his scorn for Mr Legality in the village of Morality, his defiance of the Church as the supplanter of religion, his insistence on courage as the virtue of virtues, his estimate of the career of the conventionally respectable and sensible Worldly Wiseman as no better at bottom than the life and death of Mr Badman: all this, expressed by Bunyan in the terms of a tinker's theology, is what Nietzsche has expressed in terms of post-Darwinian, post-Schopenhaurian philosophy; Wagner in terms of polytheistic mythology; and Ibsen in terms of mid-XIX century Parisian dramaturgy. (Preface)
  • "The more things a man is ashamed of, the more respectable he is." (Act 1)
  • The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. (Tanner) (Act 1)
  • Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a bloodsucker, a hypocrite and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! (Tanner) (Act 1)
  • ... the book about the bee is natural history. It's an awful lesson to mankind. You think that you are Ann's suitor; that you are the pursuer and she the pursued; that it is your part to woo, to persuade, to prevail, to overcome. Fool: it is you who are the pursued, the marked down quarry, the destined prey. You need not sit looking longingly at the bait through the wires of the trap: the door is open, and will remain so until it shuts behind you for ever. (Tanner) (Act 2)
  • In short, the way to avoid misunderstanding is for everybody to lie and slander and insinuate and pretend as hard as they can. That is what obeying your mother comes to. (Tanner) (Act 2)
  • As he comes along the drive from the house with Mrs Whitefield he is sedulously making himself agreeable and entertaining, and thereby placing on her slender wit a burden it is unable to bear. (Act 2)
  • You can be as romantic as you please about love, Hector; but you mustn't be romantic about money. (Violet) (Act 2)
  • If we were reasoning, farsighted people, four fifths of us would go straight to the Guardians for relief, and knock the whole social system to pieces with most beneficial reconstructive results. The reason we do not do this is because we work like bees or ants, by instinct or habit, not reasoning about the matter at all. Therefore when a man comes along who can and does reason, and who, applying the Kantian test to his conduct, can truly say to us, If everybody did as I do, the world would be compelled to reform itself industrially, and abolish slavery and squalor, which exist only because everybody does as you do, let us honor that man and seriously consider the advisability of following his example. (Act 3)
  • A movement which is confined to philosophers and honest men can never exercise any real political influence: there are too few of them. Until a movement shows itself capable of spreading among brigands, it can never hope for a political majority.

(Mendoza) (Act 3)

  • Abnormal professions attract two classes: those who are not good enough for ordinary bourgeois life and those who are too good for it. We are dregs and scum, sir: the dregs very filthy, the scum very superior. (Mendoza) (Act 3)
  • Hell is the home of honor, duty, justice, and the rest of the seven deadly virtues. All the wickedness on earth is done in their name: where else but in hell should they have their reward? (Don Juan) (Act 3)
  • You may remember that on earth--though of course we never confessed it--the death of anyone we knew, even those we liked best, was always mingled with a certain satisfaction at being finally done with them. (Don Juan)(Act 3)
  • Written over the gate here are the words "Leave every hope behind, ye who enter." Only think what a relief that is! For what is hope? A form of moral responsibility. Here there is no hope, and consequently no duty, no work, nothing to be gained by praying, nothing to be lost by doing what you like. Hell, in short, is a place where you have nothing to do but amuse yourself. (The Statue) (Act 3)
  • I was a hypocrite; and it served me right to be sent to heaven. (The Statue) (Act 3)
  • ... for Englishmen never will be slaves: they are free to do whatever the Government and public opinion allows them to do. (The Devil) (Act 3)
  • At every one of those concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. Well, there is the same thing in heaven. A number of people sit there in glory, not because they are happy, but because they think they owe it to their position to be in heaven. (The Statue) (Act 3)
  • The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool's paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century a new generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer "Make me a healthy animal." (Don Juan) (Act 3)
  • But Heaven cannot be described by metaphor. Thither I shall go presently, because there I hope to escape at last from lies and from the tedious, vulgar pursuit of happiness, to spend my eons in contemplation-- (Don Juan) (Act 3)
  • Senor Commander: I do not blame your disgust: a picture gallery is a dull place for a blind man. But even as you enjoy the contemplation of such romantic mirages as beauty and pleasure; so would I enjoy the contemplation of that which interests me above all things namely, Life: the force that ever strives to attain greater power of contemplating itself. What made this brain of mine, do you think? Not the need to move my limbs; for a rat with half my brains moves as well as I. Not merely the need to do, but the need to know what I do, lest in my blind efforts to live I should be slaying myself. (Don Juan) (Act 3)
  • What a piece of work is man! says the poet. Yes: but what a blunderer! Here is the highest miracle of organization yet attained by life, the most intensely alive thing that exists, the most conscious of all the organisms; and yet, how wretched are his brains! Stupidity made sordid and cruel by the realities learnt from toil and poverty: Imagination resolved to starve sooner than face these realities, piling up illusions to hide them, and calling itself cleverness, genius! And each accusing the other of its own defect: Stupidity accusing Imagination of folly, and Imagination accusing Stupidity of ignorance: whereas, alas! Stupidity has all the knowledge, and Imagination all the intelligence. (Don Juan) (Act 3)
  • And a pretty kettle of fish they make of it between them. Did I not say, when I was arranging that affair of Faust's, that all Man's reason has done for him is to make him beastlier than any beast. One splendid body is worth the brains of a hundred dyspeptic, flatulent philosophers. (The Devil) (Act 3)
  • And is Man any the less destroying himself for all this boasted brain of his? Have you walked up and down upon the earth lately? I have; and I have examined Man's wonderful inventions. And I tell you that in the arts of life man invents nothing; but in the arts of death he outdoes Nature herself, and produces by chemistry and machinery all the slaughter of plague, pestilence and famine.

The peasant I tempt to-day eats and drinks what was eaten and drunk by the peasants of ten thousand years ago; and the house he lives in has not altered as much in a thousand centuries as the fashion of a lady's bonnet in a score of weeks.

But when he goes out to slay, he carries a marvel of mechanism that lets loose at the touch of his finger all the hidden molecular energies, and leaves the javelin, the arrow, the blowpipe of his fathers far behind. (The Devil) (Act 3)

  • In the arts of peace Man is a bungler. I have seen his cotton factories and the like, with machinery that a greedy dog could have invented if it had wanted money instead of food. I know his clumsy typewriters and bungling locomotives and tedious bicycles: they are toys compared to the Maxim gun, the submarine torpedo boat. There is nothing in Man's industrial machinery but his greed and sloth: his heart is in his weapons. This marvellous force of Life of which you boast is a force of Death: Man measures his strength by his destructiveness. (The Devil) (Act 3)
  • What is his religion? An excuse for hating ME. What is his law? An excuse for hanging YOU. What is his morality? Gentility! an excuse for consuming without producing. What is his art? An excuse for gloating over pictures of slaughter. What are his politics? Either the worship of a despot because a despot can kill, or parliamentary cockfighting.(The Devil)(Act 3)
  • ...Man, the inventor of the rack, the stake, the gallows, and the electrocutor; of the sword and gun; above all, of justice, duty, patriotism and all the other isms by which even those who are clever enough to be humanely disposed are persuaded to become the most destructive of all the destroyers.

(The Devil) (Act 3)

  • Man gives every reason for his conduct save one, every excuse for his crimes save one, every plea for his safety save one; and that one is his cowardice. Yet all his civilization is founded on his cowardice, on his abject tameness, which he calls his respectability. There are limits to what a mule or an ass will stand; but Man will suffer himself to be degraded until his vileness becomes so loathsome to his oppressors that they themselves are forced to reform it. (Don Juan) (Act 3)
  • Man, who in his own selfish affairs is a coward to the backbone, will fight for an idea like a hero. He may be abject as a citizen; but he is dangerous as a fanatic. He can only be enslaved whilst he is spiritually weak enough to listen to reason.

(Don Juan) (Act 3)

  • When the military man approaches, the world locks up its spoons and packs off its womankind. No: I sing, not arms and the hero, but the philosophic man: he who seeks in contemplation to discover the inner will of the world, in invention to discover the means of fulfilling that will, and in action to do that will by the so-discovered means." (Don Juan) (Act 3)
  • The confusion of marriage with morality has done more to destroy the conscience of the human race than any other single error. (Don Juan) (Act 3)
  • Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is? (Don Juan) (Act 3)
  • I have had my share of vanity; for as a young man I was admired by women; and as a statue I am praised by art critics. (The Statue) (Act 3)
  • Your friends are all the dullest dogs I know. They are not beautiful: they are only decorated. They are not clean: they are only shaved and starched. They are not dignified: they are only fashionably dressed. They are not educated they are only college passmen. They are not religious: they are only pewrenters. They are not moral: they are only conventional. They are not virtuous: they are only cowardly. They are not even vicious: they are only "frail." They are not artistic: they are only lascivious. They are not prosperous: they are only rich. They are not loyal, they are only servile; not dutiful, only sheepish; not public spirited, only patriotic; not courageous, only quarrelsome; not determined, only obstinate; not masterful, only domineering; not self-controlled, only obtuse; not self-respecting, only vain; not kind, only sentimental; not social, only gregarious; not considerate, only polite; not intelligent, only opinionated; not progressive, only factious; not imaginative, only superstitious; not just, only vindictive; not generous, only propitiatory; not disciplined, only cowed; and not truthful at all--liars every one of them, to the very backbone of their souls. (Don Juan) (Act 3)
  • Yes, it is mere talk. But why is it mere talk? Because, my friend, beauty, purity, respectability, religion, morality, art, patriotism, bravery and the rest are nothing but words which I or anyone else can turn inside out like a glove. Were they realities, you would have to plead guilty to my indictment; but fortunately for your self-respect, my diabolical friend, they are not realities. As you say, they are mere words, useful for duping barbarians into adopting civilization, or the civilized poor into submitting to be robbed and enslaved. That is the family secret of the governing caste; and if we who are of that caste aimed at more Life for the world instead of at more power and luxury for our miserable selves, that secret would make us great. (Don Juan) (Act 3)
  • Here there is nothing but love and beauty. Ugh! it is like sitting for all eternity at the first act of a fashionable play, before the complications begin. Never in my worst moments of superstitious terror on earth did I dream that Hell was so horrible. I live, like a hairdresser, in the continual contemplation of beauty, toying with silken tresses. I breathe an atmosphere of sweetness, like a confectioner's shopboy. (Don Juan) (Act 3)
  • ... men get tired of everything, of heaven no less than of hell; and that all history is nothing but a record of the oscillations of the world between these two extremes. An epoch is but a swing of the pendulum; and each generation thinks the world is progressing because it is always moving. But when you are as old as I am; when you have a thousand times wearied of heaven, like myself and the Commander, and a thousand times wearied of hell, as you are wearied now, you will no longer imagine that every swing from heaven to hell is an emancipation, every swing from hell to heaven an evolution. Where you now see reform, progress, fulfilment of upward tendency, continual ascent by Man on the stepping stones of his dead selves to higher things, you will see nothing but an infinite comedy of illusion. You will discover the profound truth of the saying of my friend Koheleth, that there is nothing new under the sun. Vanitas vanitatum-- (The Devil) (Act 3)
  • Were I not possessed with a purpose beyond my own I had better be a ploughman than a philosopher; for the ploughman lives as long as the philosopher, eats more, sleeps better, and rejoices in the bosom of his wife with less misgiving. (Don Juan) (Act 3)
  • The philosopher is Nature's pilot. And there you have our difference: to be in hell is to drift: to be in heaven is to steer.(Don Juan)(Act 3)
  • Well, well, go your way, Senor Don Juan. I prefer to be my own master and not the tool of any blundering universal force. I know that beauty is good to look at; that music is good to hear; that love is good to feel; and that they are all good to think about and talk about. I know that to be well exercised in these sensations, emotions, and studies is to be a refined and cultivated being. Whatever they may say of me in churches on earth, I know that it is universally admitted in good society that the prince of Darkness is a gentleman; and that is enough for me. (The Devil) (Act 3)
  • As to your Life Force, which you think irresistible, it is the most resistible thing in the world for a person of any character. But if you are naturally vulgar and credulous, as all reformers are, it will thrust you first into religion, where you will sprinkle water on babies to save their souls from me; then it will drive you from religion into science, where you will snatch the babies from the water sprinkling and inoculate them with disease to save them from catching it accidentally; then you will take to politics, where you will become the catspaw of corrupt functionaries and the henchman of ambitious humbugs; and the end will be despair and decrepitude, broken nerve and shattered hopes, vain regrets for that worst and silliest of wastes and sacrifices, the waste and sacrifice of the power of enjoyment: in a word, the punishment of the fool who pursues the better before he has secured the good.(The Devil)(Act 3)
  • Beware of the pursuit of the Superhuman: it leads to an indiscriminate contempt for the Human.(The Devil) (Act 3)
  • This Don Juan was kind to women and courteous to men as your daughter here was kind to her pet cats and dogs; but such kindness is a denial of the exclusively human character of the soul.(The Devil) (Act 3)
  • ANA. ...Tell me where can I find the Superman?

THE DEVIL. He is not yet created, Senora.

THE STATUE. And never will be, probably[...]

ANA. Not yet created! Then my work is not yet done. [Crossing herself devoutly] I believe in the Life to Come. [Crying to the universe] A father--a father for the Superman! (Act 3)

  • [between his teeth] Goon. Talk politics, you idiots: nothing sounds more respectable. Keep it up, I tell you. (Mendoza) (Act 3)
  • "Hell is full of musical amateurs. Music is the brandy of the damned." (Act 3)
  • "An Englishman thinks he is moral when he is only uncomfortable." (Act 3)
  • "What is virtue but the Trade Unionism of the married?" (Act 3)


  • "Men are wise in proportion, not to their experience, but to their capacity for experience." ( 127)

Annajanska (1917)

  • All great truths begin as blasphemies.

The Apple Cart (1928)

  • Our natural dispositions may be good; but we have been badly brought up, and are full of anti-social personal ambitions and prejudices and snobberies. Had we not better teach our children to be better citizens than ourselves? We are not doing that at present. The Russians ARE. That is my last word. Think over it.
    • Preface

A Treatise on Parents and Children

  • When will we realize that the fact that we can become accustomed to anything, however disgusting at first, makes it necessary to examine carefully everything we have become accustomed to?

Attributed

  • "The liar's punishment is, not in the least that he cannot be believed, but that he cannot believe anyone else."
  • "The only way to get rid of a temptation is to yield to it."
  • "Assassination is the extreme form of censorship."
  • "'Martyrdom' is the only way a person can become famous without ability."
  • "Patriotism is your conviction that this country is superior to all others because you were born in it."
  • "The fact that a believer is happier than a skeptic is no more to the point than the fact that a drunken man is happier than a sober one. The happiness of credulity is a cheap and dangerous quality."
  • "The customs of your tribe are not laws of nature."
    • A variant that seems to be derived from a statement in Antony and Cleopatra
  • "The faults of the burglar are the qualities of the financier."
  • "The only time my education was interrupted was when I was in school."
  • "When a thing is funny, search it carefully for a hidden truth."
  • "I often quote myself. I find it adds spice to the conversation."
  • "The road to ignorance is paved with good editions."
  • "You must not suppose, because I am a man of letters, that I never tried to earn an honest living."
  • "If you have an apple and I have an apple and we exchange apples then you and I will still each have one apple. But if you have an idea and I have an idea and we exchange these ideas, then each of us will have two ideas."
  • "As long as I have a want, I have a reason for living. Satisfaction is death."
  • "A government which robs Peter to pay Paul can always depend on the support of Paul."
  • "There is no sincerer love than the love of food."
  • "My method is to take the utmost trouble to find the right thing to say, and then to say it with the utmost levity."
    • Source: Answers to Nine Questions
  • "The sex relation is not a personal relation. It can be irresistibly desired and rapturously consummated between persons who could not endure one another for a day in any other relation."
  • "Beware of the man whose god is in the skies."
  • "We have established what you are, madam. We are now merely haggling over the price."
  • "America is the only country that went from barbarism to decadence without civilisation in between"
  • "You see things; and you say "Why?" But I dream things that never were; and I say "Why not?""
  • "Dancing: The vertical expression of a horizontal desire legalized by music."

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08-19-2006 03:37:01