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Terence McKenna

Terence McKenna (16 November 1946 - 3 April 2000) American writer, shaman, philosopher, and advocate of the use of hallucinogenic substances.

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  • We're playing with half a deck as long as we tolerate that the cardinals of government and science should dicate where human curiousity can legitimately send its attention and where it can not. It's an essentially preposterous situation. It is essentially a civil rights issue because what we're talking about here is the repression of a religious sensibility. In fact not a religious sensibility, the religious sensibility. Not built on some con game spun out by eunichs, but based on the symbiotic relationship that was in place for our species for fifty thousand years before the advent of history, writing, priestcraft and propaganda. So it's a clarion call to recover a birthright.
    • Non-Ordinary States Through Vision Plants (1988)
  • It is now very clear that techniques of machine-human interfacing, pharmacology of the synthetic variety, all kinds of manipulative techniques, all kinds of data storage, imaging and retrieval techniques. All of this is coalescing toward the potential of a truely demonic or angelic kind of self-imaging of our culture... And the people who are on the demonic side are fully aware of this and hurrying full-tilt forward with their plans to capture everyone as a 100% believing consumer inside some kind of a beige furnished fascism that won't even raise a ripple.
    • Non-Ordinary States Through Vision Plants (1988)
  • I remember the very, very first time that I smoked DMT. It was sort of a benchmark you might say, and I remember that this friend of mine that always got there first visited me with this little glass pipe and this stuff which looked like orange mothballs. And since I was a graduate of Dr. Hoffman's I figured there were no surprises. So the only question I asked is, 'How long does it last?' and he said, 'About five minutes.' So I did it and... [long pause, audience cheers] there was a something, like a flower, like a chrysanthemum in orange and yellow that was sort of spinning, spinning, and then it was like I was pushed from behind and I fell through the chrysanthemum into another place that didn't seem like a state of mind, it seemed like another place. And what was going on in this place aside from the tastefully socketed indirect lighting, and the crawling geometric hallucinations along the domed walls, what was happening was that there were a lot of ahh.. beings in there, what I call self-transforming machine elves. Sort of like jewelled basketballs all dribbling their way toward me. And if they'd had faces they would have been grinning, but they didn't have faces. And they assured me that they loved me and they told me not to be amazed; not to give way to astonishment. And so I watched them, even though I wondered if maybe I hadn't really done it this time, and what they were doing was they were making objects come into existence by singing them into existence. Objects which looked like Faberge eggs from Mars morphing them- selves with mandean alphabetical structures. They looked like the concrescence of liguistic intentionality put through a kind of hyper-dimensional transform into three-dimensional space. And these little machines offered themselves to me. And I realized when I looked at them that if I could bring just one of these little trinkets back, nothing would ever be quite the same again. And I wondered, Where Am I? And What Is Going On? It occurred to me that these must be holographic viral projections from an autonomous continuum that was somehow intersecting my own, and then I thought a more elegant explaination would be to take it at face value and realize that I had broken into an ecology of souls. And that somehow I was getting a peek over the other side. Somehow I was finding out that thing that you cheerfully assume you can't find out. But it felt like I was finding out. And it felt.. and then I can't remember what it felt like because the little self-transforming tykes interrupted me and said, 'Don't think about it. Don't think about who you are. Think about doing what we're doing. Do it. Do it now. DO IT!!
    And what they meant was use your voice to make an object. And as I understood, I felt a bubble kind of grow inside of me. And I watched these little elf tykes jumping in and out of my chest; they like to do that to reassure you. And they said, 'Do it.' And I felt language rise up in me that was unhooked from english, and I began to speak...
    • "Alien Dreamtime" a multimedia event recorded live. (27 February 1993)
  • The real secret of magic is that the world is made of words, and that if you know the words that the world is made of you can make of it whatever you wish.
    • "Alien Dreamtime" a multimedia event recorded live. (27 February 1993)
  • If the truth can be told so as to be understood, it will be believed.
    • Re: Evolution (24 June 1994) This is derived from a statement of William Blake: "Truth cannot be told, so as to be understood, and not be believ'd."
  • I think that people don't understand. As the Firesign Theater used to say, 'Everything you know is wrong.' But that is a very liberating understanding, because if everything you know is wrong, then all the problems you thought were insoluble can be framed differently. And there's a way to take the world apart and put it back unrecognizably. We don't really understand what consciousness is at the really deep levels. With some of the tryptamine hallucinogens, you see into possibilities where questions like, 'are you alive?' 'are you dead?' 'are you you?' seem to have been transcended. I think people have a very narrow conception of what is possible with reality, that we're surrounded by the howling abyss of the unknowable and nobody knows what's out there.

Attributed

  • Apparently there is a great discovery or insight which our culture is deliberately designed to supress, distort and ignore. That is that Nature is some kind of minded entity. That Nature is not simply the random flight of atoms through electromagnetic fields. Nature is not the empty, despiritualized lumpen matter that we inherit from modern physics. But it is instead a kind of intelligence, a kind of mind.
  • For monkeys to speak of truth is hubris of the highest degree. Where is it writ large that talking-monkeys should be able to model the cosmos? If a sea urchin or a racoon were to propose to you that it had a viable truth about the universe, the absurdity of that assertion would be self-evident, but in our case we make an exception.
  • I can't preach Scientism cause I don't believe it. I can't preach Buddhism cause I can't understand it. The only thing I can preach is the felt presence of immediate experience which for me came through the psychedelics, which are not drugs but plants. It's a perversion of language to try to derail this thing into talk of drugs. There are spirits in the natural world that come to us in this way and so far as I can tell this is the only way that they come to us that is rapid enough for it to have an impact upon us as a global population.
  • In the Amazon and other places where visionary plants are understood and used, you are conveyed into worlds that are appallingly different from ordinary reality. Their vividness cannot be stressed enough. They are more real than real, and that's something that you sense intuitively. They establish an ontological priority. They are more real than real, and once you get that under your belt and let it rattle around in your mind, then the compass of your life begins to spin and you realize that you are not looking in on the Other; the Other is looking in on you. This is a tremendous challenge to the intellectual structures that have carried us so far during the last thousand years. We can do tricks with atoms, there's no question about that, but these tricks immolate us. The higher-order structure of molecules, let alone organelles and that kind of thing, is intellectual incognita to us. We have no notion of how these things work or what is going on. Yet it is from those levels that the constituent modalities of reality are being laid down.
  • It's only in western civilization that you get this steady focus on this monotheistic ideal, and working out the implications of what is essentially a pathologial personality pattern. The pattern of the omnicient, omnipresent, all-knowing, wrathful male diety. No one you would invite to your garden party.
  • The 20th Century is the shudder that announces the approaching cataracts of time over which our species and the destiny of this planet is about to be swept.
  • To a large degree I think the sixties were probably misplayed. But on the other hand it seems to be the last decade when anything happened. The lid has been utterly on ever since. It's an illusion all this change. There is no change. We're living in some sort of weird eschatological hiatus while the people who rig the game try to send out for new batteries or something. I don't know what's going on. There's energy for change building. I think that when it ultimately comes it will be fairly spectacular. It's astonishing actually the way in which change has been halted. Everyone is running around saying "change change change" but on the other hand there is a curious sense in which things have become eerily dreamlike and still, while we just teeter on the edge of the end of history; and the same personalities, the same design elements, everything has looked the same in the galleries for twenty years. There is an eerie suspension.
  • We are so much the victims of abstraction that with the Earth in flames we can barely rouse ourselves to wander across the room and look at the thermostat.

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08-19-2006 03:37:01